FILM REFLECTION
Length: 500 Words
Choose ONE of the following feature films screened in weeks of the course:
Little Fish (Rowan Woods 2005), Walkabout (Nicholas Roeg 1971), Jedda (Charles Chauvel 1955), Rabbit Proof Fence (Philip Noyce
2001/2002), Newsfront (Philip Noyce,
1978), Picnic at Hanging Rock (Peter
Weir 1975), Don’s Party (Bruce
Beresford 1976).
Answer ALL of
the following 15 questions:
1. Title of the Film (2 points):
2. Runtime (2 points):
3. Country or Countries if a co-production (2
points):
4. Director (2 points):
5. Producer (2 points):
6. Screenplay/Writer (2 points):
7. Cinematographer (2 points):
8. Editor (2 points):
9. Release Date (2 points):
10. Company or Companies (2 points)
11. Genre (2 points):
12. Key Cast/Actors (2 points):
13. Setting/Time & Place (2 points)
14. Synopsis: Provide a direct quote from a reliable
source and include a full reference at the end of the quote) (4 points)
15. Reflection (70 points) (500 words): Write your thoughts on how this film relates
to the themes and issues addressed in the course, making reference to relevant
readings and concepts. Briefly evaluate the film using a mixture of
personal opinion, specific quotes and content of the film, supported by
scholarly works (including reviews, course readings and notes). Make sure you
do not repeat any of the information you have used in answering your 'Synopsis'
question. Remember if you have quoted
directly or paraphrased from other reviews or scholarly writing include a list
of references using the Harvard style. I am expecting most students to use two
or three references.
Presentation of your Film Reflection
Use 12pt font or
above (Arial or Times New Roman)
Double line spacing
Include page numbers
Include header or footer
on each page with your name, course code and date.
Use italics for film
titles
Remember to cite all
sources and to reference your work using the Harvard referencing style.
Assessment/Marking Criteria
Students will be
assessed on their ability to:
clearly develop an argument based on valid premises and provide a
synthesis of ideas not just a regurgitation of facts (that is analysis not
description);
demonstrate an
in-depth reflection on, and personalization of, the theories and concepts
presented in the course materials to date. The use of viewpoints and
interpretations that are insightful and well supported and the provision of clear,
detailed examples as applicable.
include all required
components indicated in the assessment guidelines and address each question
thoroughly.
ensure all writing is
clear, concise, and well organized with excellent sentence/paragraph
construction. Thoughts are expressed in a coherent and logical manner. Proofread
your work so that there are very few spelling, grammar, or syntax errors per
page of writing.
show evidence of
synthesis of ideas presented and insights gained in the course to date.
use appropriate evidence, illustrations and arguments to support each
idea and correctly reference this evidence using the specified referencing
style;
Walkabout Film is among the most significant movies in
the industry. The film presents two children lost in an Australian outback and
seeking survival. While on their journey, the children find a young aborigine
boy who helps them get back to civilization (Collins, 2013). The movie shows
survival, cultural and racial contrast, and ways communication affect people's
life. The film's opening sequences portray modern and big city life near an
aboriginal area as viewed by the two children. This imagery helps strengthen
the view on cultural contrast since individuals view the whiteness and
aboriginality in the movie (Collins, 2013). The differences in culture and race
provide a variety in lifestyles among individuals. After the children's father
died, they had to find ways to survive. As a result, meeting the aboriginal boy
was paramount in helping them back to civilization (Collins, 2013). This step
shows the importance of cultural collaboration despite race. Therefore, the
movie shows a juxtaposition between white and aboriginality