Read
Locke's "The New Negro" and apply two of his characteristics of the
Harlem Renaissance to one work from the other readings by Hughes, McKay, or
Hurston. In what ways does the selection you chose convey the ideas in Locke's
definition? Learning objectives: strong opening thesis, development (500
words), SUPPORT (quotations), objective tone (No
"I" or "we"). Readings Locke, The New Negro click here: Locke-The
New Negro.pdf Jean
Toomer, Cane (D618-29) Hughes, “The Negro Speaks” (D835); “The Weary Blues”
(D836) Hurston, “Gilded Six Bits" hurston The Gilded Six Bits.pdf McKay, “The Harlem Dancer”
(D469)
The Harlem Renaissance period
was when the African Americans and Africans struggled with the post-war effects
and economic depression. The African Americans moved to the northern parts
hoping to find peace and happiness. However, prejudice, segregation, and scarce
economic opportunities still existed, forcing African Americans to find refuge
in art (Warnes, 2021). The African Americans shared talent and artistic skills.
Through the explosion of African American art, Locke established the movement
of the " new negro". This indicated that African Americans were ready
to leave the " old negro" ways, such as prejudice, racial
segregation, and poor working conditions. The Harlem Renaissance marked the
beginning of working towards better conditions, advocating for dignity, and
ending blind acceptance. The Negros used their talents and artistic skills to
express themselves and embrace their culture and color, leading to a
celebratory period as the black Americans reconnected with their heritage once
more (Warnes, 2021). In his book, " the new negro" Locke uses a
compilation of dissertations, poetic works, and fiction to describe the Harlem
Renaissance period and the revolution of the black artists, a period where
black Americans grew socially, intellectually, and culturally. The Harlem
renaissance was characterized by self-expression and degrading of the
long-standing prejudices. Hughes utilized the ideas in Locke's definition of
the " new negro" in his compilations, such as " the negro speaks
of rivers," and " the weary blues."